I was one of those young college students who struggled to decide what path to follow in preparing for a career. I began with an unspecified arts and sciences major and changed directions multiple times. I even dropped out for a time because I was so confused about what I really wanted to do with my life. In the end I graduated with many more hours than usual, ultimately majoring in English and Education with a heavy dose of mathematics courses for good measure. By that time I saw myself as a purveyor of literature, and I dreamed of inspiring students to love Shakespeare as much as I do. I carried visions of my favorite high school teacher, Father Shane, in my head and hoped that I might inspire a new generation of young people to appreciate the beauty of the the written word as much as he had impacted me.
To my surprise my first job was as a mathematics teacher, something I viewed as a temporary status wrought by a dwindling market for newly graduated educators. I assumed that within in year or so the economy would right itself and I would soon enough be dramatically quoting lines from Othello and demonstrating the art of writing. Somehow I instead became branded as someone capable of instructing students in the algorithms and formulas of algebra, geometry, probability and statistics. It became an unbreakable trend, and soon enough my preferred mode of work. Still, there hovered in the back of my mind an undying love for literature, grammar, linguistics and composition. The artistic side of my nature needed to be unleashed, but would have to learn how to express itself in unique lessons for teaching proportion and the wonders of circles.
Once I retired from my career I returned to my roots, writing almost daily, reading and rereading some of my favorite authors, and immersing myself in the beauty of language. I even enjoyed tutoring a student or two in the ways of interpreting literature and then writing about metaphors and other tools of language. If found great joy and relaxation in having the time to devote myself to explorations of the ideas that I have always so loved.
Still there remained a longing to visit the land where so many of my favorite authors had once lived and to experience the history and culture that had so molded them. The number one entry on my bucket list was to travel to London and its countryside, and I was determined to one day make it happen. It was with great expectations that I recently crossed “the pond” and had the opportunity to walk in the shadow of some of the greatest authors of all time, not the least of which is my favorite, William Shakespeare.
The original Globe Theater where Shakespeare’s plays were performed was destroyed long ago, but a replica now stands along the Thames River offering seasonal productions for those desiring to get a feel for how the Elizabethan world might have been. It is an outdoor venue with a large open area for the “groundlings” who must stand during the presentation with three levels of seating on the same type of narrow wooden seating that the more prosperous patrons of old might have enjoyed. The only nod to comfort in the arena are the small cushions that may be procured for an extra fee to soften the harshness of sitting on a hard surface for three hours.
My traveling companions and I went to see The Merry Wives of Windsor, a comedy that might not have been my first choice but was nonetheless the offering for the season. It was a greatly modernized version of the rollicking farce featuring the crowd pleasing character, Falstaff. The members of the company played well to the audience just as the actors of old most surely had done. Their light hearted banter kept all of us laughing and enjoying the ridiculousness of the story.
When intermission came I learned that the members of my family had little idea what was happening. They had not taken entire courses on the works of Shakespeare as I had. Only my sister-in-law Becky was somewhat attuned because I had gifted her with a translated version of the play since she was worried that her English might not be up to speed enough to understand the nuances of a Shakespearean production. I hastily describe the premise of the play and each character’s role in the tale. After that there were more laughs and enjoyment coming from my family, and I felt a small sense of satisfaction in being a purveyor of understanding for them.
I was literally floating on air as we emerged from the Globe Theater at the end of a riotously fun evening. The night sky was clear and illuminated by a million points of light from the city of London. I walked across the Millennium Bridge in high spirits as I marveled at my good fortune, and considered that the course of my life had gone full circle, returning me to the passion of my youth. I thought of Father Shane and gave him a silent nod of gratitude for instilling me with a love of all things literary. I felt quite complete as I considered how well the course of my life had gone. There was something very Shakespearean about the way that I was feeling and the contentment that filled my heart.
As if to remind me that life is filled with comedies and well as tragedies, in the midst of my elation my brother Michael ran into a low barricade, did a complete somersault, and banged his head on the pavement in view of St. Paul’s Cathedral. His glasses were broken, his body was bruised, and we worried that his injuries were severe. With the usual aplomb he brushed away our fears, but the bubble of perfection in which I had been floating returned to reality. It felt as though Shakespeare himself was reminding me of the vagaries of life that are the stuff of both tragedy and comedy.
I shall never forget my evening at the Globe Theater. I have seen better plays and more superior acting at the Alley Theater in Houston, but those entertainments did not feel as sacred as my pilgrimage to the place where the undyingly prescient words of the Bard still deliver their universal messages. More than ever I knew that “all the world’s a stage,” and I have been a player in its never ending plot.